…Continued from PART-1   The Mira Nair 1988 film, Salaam Bombay portrays the city Bombay as a stunning paradox, which it really is, highlighting the particularities if that place and that time. Here in Bombay, the unforgiving city, people flow in somehow and are lost. Lost are their respective identities and their very existence. This … Continue reading The Stereotyping of Indian poverty in World Cinema, a false representation: PART II